The Problem with Automated Design

Every Monday I compile the Record Recommended calendar for Milwaukee events. The process is manual and repetitive. I open a spreadsheet with over 30 venue links. I click through each one to find noteworthy shows. I verify the dates and cross-reference them with our internal files. It takes roughly two hours of active work. After that, I scour Facebook Events for any stragglers I missed. This is where the aesthetic nightmare begins. I constantly encounter flyers generated by artificial intelligence that look like distorted, low-resolution fever dreams.

These images often feature bizarre anatomy, excessive glowing effects, and textures that resemble plastic waste. They are everywhere now. Small restaurants use them. Neighborhood bars use them. They appear in digital feeds and on physical flyers posted in shop windows. The prevalence of these images creates a visual sludge that makes everything look identical. People who use them often defend the practice by claiming they cannot afford professional design services. They argue that the alternative to AI is paying thousands of dollars to a designer, which is a false choice.

Reclaiming the Homemade Aesthetic

Businesses have successfully created their own promotional materials for decades without needing advanced software. The defense that AI is the only way to avoid high costs ignores the history of simple, effective design. A flyer does not need to look like a high-budget advertisement to work. It needs to communicate the name of the event, the price, the location, and the date. That is the core function of an advertisement. Anything else is decorative filler.

I recently saw a flyer for the Milwaukee Mineral, Fossil, Crystal, Gem & Jewelry Show. It used a bright red background, clear text, and a simple image of a T-rex. It was legible, memorable, and functional. Similarly, Gilles Frozen Custard produces flyers that follow classic do-it-yourself rules. They use standard fonts and a cropped photo of a sandwich. These examples prove that clarity beats automation every time. These designs are charming because they feel authentic and human. They do not hide behind the uncanny textures of an algorithm.

The Human Element in Local Media

I understand the pressure small business owners face. Everything is becoming more expensive, and time is a finite resource. If a business needs to cut corners, I am not going to lecture them about their design choices. Still, there is a tangible value in keeping the human hand present in creative work. My own weekly roundups could theoretically be faster if I allowed an algorithm to pull the data. I refuse to do that because the labor is the point.

Readers trust the Record Recommended calendar because they know I have vetted every single entry. A local artist recently called the list their weekly bible. That level of trust disappears if the work becomes automated. When I add a clip-art dinosaur or pick a specific font, I am making a choice that reflects a human perspective. We have spent decades refining our ability to spot the difference between genuine effort and mass-produced content. The distinction still matters to audiences. People notice when a human is behind the screen. As we see more AI-generated material in our daily feeds, the value of the authentic, the flawed, and the hand-made will only increase.