Philip Hensher has published A History of the Novel in Britain, a substantial work covering two centuries of fiction. Moving away from the standard academic survey format, Hensher focuses on the creative connections between writers and the practical realities of the publishing industry.
He examines key moments in literary history, such as the early financial rivalry between Samuel Richardson and Henry Fielding. The book highlights how publishing models, copyright issues, and production choices impacted the success or failure of works like Pride and Prejudice. Hensher brings his own background as a novelist to analyze the techniques of authors ranging from Daniel Defoe to Zadie Smith.
Beyond technical analysis, the book addresses the reputations of various authors. He defends writers previously dismissed by critics, such as Arnold Bennett, while offering sharp critiques of others, including Ann Radcliffe and DM Thomas. He also points out that many experimental techniques lauded in the 20th century were pioneered by earlier authors.
Ultimately, the book serves as both a history and a guide to revisiting literary works. By stopping his account at the year 2000, Hensher avoids premature judgment on contemporary literature, choosing to focus on works that have stood the test of time. It provides a grounded, critical perspective on the development of the British novel.