The latest Marvel installment, Spider-Man: Brand New Day, features a climactic battle sequence that pulls inspiration from unexpected places. Director Destin Daniel Cretton and stunt designer Peng Zhang opted to incorporate a visual motif centered on the Phoenix. This choice defines the movement and choreography of the Hand, a group of ninja assassins within the film.
Zhang developed the fight choreography based on the movement of a bird. By positioning a central ninja as the head and others as wings, the team created a unified aesthetic for the group. This approach was intended to contrast with the combat style of Spider-Man, who relies on different gear and techniques throughout the sequence. The goal was to ensure the movements felt distinct yet polished for a global audience.
Filming the sequence presented logistical hurdles. The crew shot on location at Dorchester Prison in England. Because the set contained concrete walls and bars that obstructed lines of sight, the team installed additional cameras to help riggers monitor the performers. The wirework required precise coordination to handle the distance and physical obstacles on set.
Tom Holland performed a significant portion of his own stunts for the scene. His experience from previous projects allowed the production team to design sequences that were both complex and ambitious. The result is a high-stakes encounter that blends martial arts with specific visual storytelling elements.